129 research outputs found
Volume 25, Number 02 (February 1907)
Chopin as I Knew Him
Lesson on a Phase of Technic: The Thumb and Second Finger
Repertory and How to Acquire It
Reminiscences of Schubert
Life of the Virtuoso
Few Thoughts Concerning the Musical Ear
Anton Rubinstein in His Classes
18th Century Tribute to Bach
Plan for the Teacher Who Wishes to Give Her Pupils Both Private and Class Lessons
French View of the American Musical Future
Evolution of a Country Church Choir
Some Common Errors of Piano Pupils: How to Correct Themhttps://digitalcommons.gardner-webb.edu/etude/1521/thumbnail.jp
Volume 21, Number 09 (September 1903)
How to Interest Pupils in Technic
Music Teacher\u27s Social Life
Music Teacher\u27s Spare Time
Training Children
Selection of Pieces
Conflict Between Public School Work and Music
Practical Preachments on Teaching and Practice
Music-Study in the Colleges and Universities: The Effect on Professional Music-Study
Harmony: Duration and Dynamics of the Tones of Different Voices
Student Life and Work: What Shall I Study?https://digitalcommons.gardner-webb.edu/etude/1484/thumbnail.jp
Volume 25, Number 01 (January 1907)
Lessons From Haydn\u27s Life
Some Appreciations of Haydn
Joseph Haydn: A Man and Artist: As He Lived
Haydn\u27s Contribution to Instrumental Music
Study of Haydn\u27s Pianoforte Compositions
Joseph Haydn and His Work
Haydn, the Child, Youth and Man
Musician\u27s Masquerade: A Story of Haydn\u27s Youth
Mystery of Early Engilsh Musichttps://digitalcommons.gardner-webb.edu/etude/1520/thumbnail.jp
Volume 23, Number 11 (November 1905)
Carl Baermann: Some Characteristics of His Art and His Playing
Men and Things of the Day in Music
Music in the University of California
Mme. Wanda Landowska
How May a Child\u27s Musical Talent be Determined!
Music Teachers and Pupils: A Study in Influences
Why Does a Composer Compose?
Realism in Music
On Traits and Characteristics of Students
Methods and their Use
True Musical Understanding: Is it the Result of Rule and Measure?
Useful Gymnastic Exercises for Musicianshttps://digitalcommons.gardner-webb.edu/etude/1508/thumbnail.jp
Volume 25, Number 06 (June 1907)
Johannes Brahms: The Classical Spirit in Music
Some Sayings of Brahms
Estimate of Brahms\u27 Work
Brahms as a Practical Joker
How Liszt Taught
Chorus in the Small Town, with Some Side-Lights on Its Influence on American Music
Edvard Grieg: The Scandinavian Spirit in Music
Jacques the Dreamer: The Story of a Musician, with a Moral in It
Charles Camille Saint-Saëns: A Representative of French Music
Story of the Minuet
History Questions for Music Students
Importance of Finger Training
Cornelius Gurlitt
Monument to Stephen Hellerhttps://digitalcommons.gardner-webb.edu/etude/1525/thumbnail.jp
Volume 20, Number 05 (May 1902)
Liszt as a Musical Influence
Liszt, the Musical Liberal
Liszt as Pianist and Composer
Liszt as a Teacher
Transcriptions for the Piano by Liszt
Robert Schumann on Liszt\u27s Playing
Necessity for Business Adaptability
Lesson on Bach
Victor Hugo Celebration
What to Learn in the Biography of a Composerhttps://digitalcommons.gardner-webb.edu/etude/1469/thumbnail.jp
Volume 22, Number 01 (January 1904)
Study of Great Vocal Works. A Talk with Alberto Randegger
From Virginal to Pianoforte
Why is Music Written in so Many Keys?
How the Teacher Conducts the Lesson
Analysis of a Composition and Other Aids to the Interpretation fo Piano-Musi
Parallels in Music Teaching
Careless Practicing
Real Purpose of Teaching Music in the Public Schools
Gospel of Effort
What is Kindergarten Music?
Illustration: Its Power in Teachinghttps://digitalcommons.gardner-webb.edu/etude/1487/thumbnail.jp
Volume 25, Number 09 (September 1907)
Business Man and Good Music
Technical Exercises, Etudes and Pieces: How to Use Them
Palestrina
Fallacy of Music Study Abroad
Practice that Develops Technic
Practical Hints by BĂĽlow
To Teachers Who Do Not Playhttps://digitalcommons.gardner-webb.edu/etude/1528/thumbnail.jp
Volume 25, Number 10 (October 1907)
Edvard Grieg
Eulogy Upon Grieg
Grieg\u27s Twelve Most Popular Piano Pieces
Story of the Gavotte
Joseph Joachim: A Tribute to the Great Teacher, Artist, Man, Who Stood at the Educational Head of Musical Life in Berlin for a Half Century—His Remarkable Violin School and His Influence Upon His Pupils and Friends
Should Recital Music be Memorized?
Sevcik and Joachim
How Rubinstein Played the Piano
Edvard Grieghttps://digitalcommons.gardner-webb.edu/etude/1529/thumbnail.jp
Volume 23, Number 02 (February 1905)
Mrs. Bloomfield Zeisler on Study and Repertory
Interpretation: The Fine Art of Music
Alexander Glazunoff
Study of Theodore Thomas
Paderewski on Piano Teaching and Study
Business Details in Music Teaching
Publicity
I Pray Thee Have Me Excused: Some of the Reasons Pupils Give for Changing Their Instructors
Training in Musical Taste
Cranky Parent
Prime Factors in Students\u27 Progresshttps://digitalcommons.gardner-webb.edu/etude/1499/thumbnail.jp
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